Waterhouse was inspired by Homer’s Odyssey to paint several other masterpieces, one of which is Circe” Offering the Cup to Ulysses. His family moved to England right after his birth. – Kara Ross. Circe Offering the Cup to Ulysses is an oil painting in the Pre-Raphaelite style by John William Waterhouse that was created in 1891. The painting depicts a scene from the Odyssey where the sorceress Circe offers Odysseus (called Ulysses by the Romans) a cup containing a potion with which she seeks to bring him under her spell as she has his crew. Anthony Hobson describes the painting as being "invested with an aura of menace, which has much to do with the powerful colour scheme of deep greens and blues [Waterhouse] employed so well. This is one of Waterhouse's earlier works, and reflects his fascination with the exotic. In this painting, Circe becomes a tragic figure: she "cannot help what [she is] doing, and rather regret[s] it." and tangled maze of words, a labyrinth— Neither Scylla's human form nor her monster form is the emphasis here. At her feet there is a shadowy shape, and the background of twisted foliage lends weight to the dark theme. It is his second depiction, after Circe Offering the Cup to Ulysses (1891), of the Greek mythological character, Circe, this time while she is poisoning the water to turn Scylla, Circe's rival for Glaucus, "into a hideous monster". Hobson, 1980, pl. and, in midcourse, the sun scorched with full force, Files are available under licenses specified on their description page. References. Circe Invidiosa is a painting by John William Waterhouse completed in 1892. Circe" used such… Ulysses can be seen in the mirror depicted behind Circe's throne, whilst one of Ulysses' crewmen, magically transformed into a pig, can be seen beside Circe's feet. Circe” used such a potion on Ulysses’ crew turning them into pigs while Ulysses AKA (Odysseus) was taking care of another matter. Painted by John William Waterhouse in 1891 as an oil on canvas work, Circe Offering the Cup to Odysseus, is a painting depicting a famous figure of Greek Mythology. The specific scene that Waterhouse bases this painting on occurs in lines 52–65 of the epic poem: There was a cove, This particular mythological portrayal is based on Ovid's tale in Metamorphoses, wherein Circe turns Scylla into a sea monster, solely because Glaucus scorned the enchantress' romantic advances in hopes of attaining Scylla's love instead. It is his second depiction, after Circe Offering the Cup to Ulysses (1891), of the classical mythological character Circe. 182.) From Wikimedia Commons, the free media repository. The meaning of the picture is unclear, but its mystery and exoticism struck a chord with contemporary observers. Article. His oeuvre also includes a number of middle-eastern subjects, in which he drew on the work of contemporary artists such as J.F Lewis (1805-76) and Lawrence Alma-Tadema (1836-1912), rather than on actual experience. Das Bild "John William Waterhouse Circe Offering the Cup to Odysseus" wird für Sie als Leinwandbild von Hand auf eine echte, 360g schwere Künstlerleinwand gedruckt und auf einen Holz-Keilrahmen aufgezogen. Summary. File; File history; File usage on Commons; File usage on other wikis ; Size of this preview: 800 × 533 pixels. However, Chris Woods argues that Waterhouse's portrayals of Circe are not wholly evil, destructive, or monstrous, much like one sees in paintings of female mythological figures by Gustave Moreau or other European Symbolists. a little inlet shaped like a bent bow, Waterhouse’s main treatments of the theme are Circe offering the Cup to Ullyses (1891, Oldham; illus. Original file (922 × 614 pixels, file size: 109 KB, MIME type: image/jpeg). Miracles, magic and the power of prophecy are common themes in Waterhouse's art. In Greek mythology, Circe was the daughter of the god Helios, and like her sister Pasiphae, Circe was a highly skilled sorceress. and, three-times-nine times, murmurs an obscure John William Waterhouse – Virtual Tour Waterhouse (1849 – 1917) worked in the Pre-Raphaelite style, several decades after the breakup of the Pre-Raphaelite Brotherhood, which included artists such as Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt. Waterhouse's version similarly shows Circe floating over the water in the cove, pouring bright green poison into the pool below. But within its confines are flowers and the woman herself, objects of beauty. And Circe now contaminates this bay, She says that taken as a pair, Waterhouse's first two Circes prompt the question: "is she goddess or woman? The woman in this picture appears to be a witch or priestess, endowed with magic powers, possibly the power of prophecy. Circe Invidiosa is a painting by John William Waterhouse completed in 1892. Jump to navigation Jump to search. The picture is clearly related to The Sorceress, an unfinished canvas by Waterhouse of circa 1911, which would itself more suitably be called Circe since it is inscribed with this title on the back and includes two animals, the victims of Circe's charms, at the left (see Anthony Hobson, The Art and… she scatters venom drawn from dreadful roots She sits on a golden throne, roaring lions depicted on each arm. Der Holz-Keilrahmen ist 20 bis 40 Millimeter dick, abhängig von der von Ihnen gewählten Bildgröße. sought shelter when the sea and sky were hot; [4] Judith Yarnall also echoes the sentiment about the colors and mentions an "integrity of line" in the painting. Waterhouse was inspired by Homer's Odyssey to paint several other masterpieces, one of which is Circe" Offering the Cup to Ulysses. She thinks herself a queen. reducing shadows to a narrow thread. "[3] Those colors are "near stained glass or jewels," according to Gleeson White. The picture is clearly related to The Sorceress, an unfinished canvas by Waterhouse of circa 1911, which would itself more suitably be called Circe since it is inscribed with this title on the back and includes two animals, the victims of Circe’s charms, at the left (see Anthony Hobson, The Art and Life of J.W. File:John William Waterhouse - Sketch of Circe, 1911-1914.jpg. There are other animals portrayed in the painting depicting other mortals who fell into Circe”‘s grasp, including a toad in the foreground and a duck which can be seen reflected in the left side of the mirror behind her. Circe, 1911, oil on canvas, 86.3 x 77.2 cm. He went to Circe”, who had him drink the potion to turn him into a pig as well, when it did not work Ulysses drew his sword and threatened Circe” who, in disbelief, begged him to forgive her.Waterhouse portrays Circe”, cup in one hand, wand in the other, surrounded by purple flowers, the color of royalty, offering the potion to Ulysses. High Quality Image & Detail Information on Waterhouse Circe Invidiosa - 1892 - Art Gallery of South Australia, Adelaide - John William Waterhouse The attitude of the figures in each picture is almost identical.Circe was a favourite subject with Waterhouse and other artists in the late Pre-Raphaelite tradition. With the wand in her right hand she draws a protective magic circle round her. File:John William Waterhouse - Sketch of Circe, 1911-1914.jpg, File:Waterhouse, JW - The Sorceress (1913).jpg, User:Jane023/paintings by John William Waterhouse, Kasutaja:Jane023/paintings by John William Waterhouse, Lista de pinturas de John William Waterhouse, Wikidata:WikiProject sum of all paintings/Creator/John William Waterhouse, https://commons.wikimedia.org/w/index.php?title=File:John_William_Waterhouse_-_Sketch_of_Circe,_1911-1914.jpg&oldid=434247786, Mythological paintings by John William Waterhouse, Paintings of females in profile, facing left, Creative Commons Attribution-ShareAlike License, Height: 73.9 cm (29.1 in); Width: 109.2 cm (43 in).