So, in this article we look at the construction of the melodic minor scale. As always, thank you for reading and for your support. In your mind, apply the whole and half step formula between each of the notes on this fretboard. As we noted before, there is only a one note difference between the Melodic Minor and the Major scale. The Major Scale yields 3 major, 3 minor, and 1 diminished triad, and only 1 triad per note. • Nothing prevents you from playing the D minor melodic scale in this case too (the dominant chord allows many “daring” options), but the C minor melodic scale would be more advisable for the simple fact that the G7 chord belongs to the key of C minor melodic. All the modes on this page have the A root, so you can hear the difference between the scales. The audio files below play every note shown on the piano above, so middle C (marked with an orange line at the bottom) is the 2nd note heard. There’s a lot of harmonic variety in the Melodic Minor Scale! Semi-notes : 2 - 1 - 2 - 2 - 2 - 2 - 1 As we can see above, there are some notes in the scale that yield multiple triads. E: E, F#, G, A, B, C# (C), D# (D), E A two-count is a half step, such as between the E and F above. So whereas the A natural minor scale has notes F, G for the 6th and 7th notes, these notes are raised to arrive at notes F#, G# for this melodic minor scale. Notes (descending): C#, D#, E, F#, G#, A, B, C#, Notes (ascending): D, E, F, G, A, B, C#, D Descending: A, G, F, E, D, C, B, A Check out guitars by: BENEDETTO, D'ANGELICO, D'AQUISTO, EPIPHONE, FRAMUS, GIBSON, GODIN, GRETSCH, GUILD, HAGSTROM, HERITAGE, HOFNER, PEERLESS, SELMER, SILVERTONE, THE LOAR, WASHBURN, Jazz Bebop Blues Guitar helps you to create the authentic sound of jazz guitar, without having to learn numerous scales and modes. Tertian chords are built by stacking thirds. As with most of our common heptatonic scales, the 5th degree of the Melodic Minor Scale offers a dominant seventh chord, making the perfect cadence of V7-i. In a later step, if sharp or flat notes are used, the exact accidental names will be chosen. This step shows the A melodic minor scale degrees - tonic, supertonic, mediant, subdominant, dominant, submediant, leading note / tone, and octave. For the melodic minor scale, you raise the sixth and seventh notes of a scale by a half step as you go up the scale and then return to the natural minor as you go down the scale. I’ll add here that we’ll be discussing the Melodic Minor is the “Jazz” sense versus a “Classical” sense. This difference is big with regards to harmonization of the scales: By doing this, you will develop a rich vocabulary and bring new sensations to your improvisations. We will also look at how and why these chords work together. The altered dominant has an accidental note (for example, the augmented 5th). The classical melody is the one we have already shown. For example, the Altered Scale is a great fit for a melody line over a minor7♭5, dominant7♭5, or augmented7 chord. column shows the melodic minor scale note names. Very well, just as we said on the application of the harmonic minor scale, the melodic minor scale needs to be studied beyond the context of the key, after all only a few songs have the melodic minor tonality. This step shows the ascending A melodic minor scale on the piano, treble clef and bass clef. The Solution below shows the A melodic minor scale notes, intervals and scale degrees on the piano, treble clef and bass clef.. The “modal” pseudo-triads are built as follows: Some of these triads show up in my song “Sum Triads,” based on the triads of the C Melodic Minor Scale. Let’s see how many tertian chords are in the Melodic Minor Scale, starting on each of its scale degrees. This melodic minor scale is based on the natural minor scale with the same key / tonic note - A natural minor scale. But, scales have a purpose, so, if you are just starting to look into theory as a way of improving your musicianship, then the Beginning Jazz Theory series is a great place to start, where we discover the why and how of scales.