Shure Beta 52A £173 $189. But these mics can also be used for recording instruments – even vocals. The Beta 52A is available as part of the DMK57-52 Drum Mic Kit, which includes three SM57 Microphones, one Beta 52A Microphone, three A56D Drum-mounting Systems, and a Lightweight and Durable Carrying Case. Think RE20, MD421, M88, SM7 (all hard to fit in a tight setup), Beta 52, D112, ... A floor tom usualy is very similar to a kick, only the tuning is a little higher (sometimes lower than a kick) and it usualy is alowed to have more sustain than the kick, so no wonder that the Beta 52 works for you. Features Also In The Box Frequency response shaped specifically for kick drums and bass instruments; Built–in dynamic locking stand adapter with integral XLR connector simplifies … Featuring a tailored frequency response designed specifically to cater for kick drums and other bass and low-frequency instruments. The Beta 56A is a dynamic, supercardioid microphone with a frequency response extended 1,000 Hz upward from Shure's well loved default. Shure Beta-52a: 10dB EV N/D868: 10dB Audix D6: 16dB For comparison, Shure SM57: 9dB Note that simply the distance from top-to-bottom isn't the whole story, but it does give you an idea of what's going on. The Shure Beta 52A is a high output dynamic kick drum microphone. It provides superb attack and punch, not only that, it also delivers studio-quality sound even at extremely high SPLs. For instance, the '57 has a gentle rise in the presence region up to 10kHz or so, whereas the Beta-52a has a 10dB peak at 4kHz. In my opinion, it's better than the E-V RE20, the Shure SM7B, and completely blows the AKG D112 out of the water. In the realm of dynamic kick drum mics, there are none better, and few that can match it. These are specialist kick drum microphones. We highly advised that you pair your microphones with great DAW software to help you edit and make sure your recordings are clear and on point. The Shure Beta 52A Kick Drum Mic is a high-output and a dynamic microphone with a frequency response tailored specifically for kick drums and for bass instruments. It has an internal pneumatic shockmount system to absorb stand-borne vibration and mechanical noise. Providing a superb attack and”punch”, the Beta 52A delivers studio-quality sound even at extremely high SPL’s (sound pressure levels). The Shure Beta 52A has been my first choice for a kick drum mic for over a decade, both live and in the studio. In this comparison review, we will focus on two microphones: Shure BETA 52A vs AKG D112 MKII. The modified supercardioid pattern from this mic ensures high gain before feedback and excellent … The Beta 56A has a frequency response of 50-16,000 Hz. Unlike most of the mics here, the Beta 52A has a hypercardioid pickup pattern, which should help minimise bleed from other instruments, as well as reducing the risk of feedback when used on stage. Like the Beta 52A, it is mounted in a very convenient way for drums, and allows adjustments to be made without compromising the entire setup. There are a couple of others I would use, but none I would prefer to the Beta 52A.