Just had to buy this upgraded b91. Many people including myself perfer the sm91 to the beta. (3.8 mV/Pa; 50 - 15,000 Hz). Easy set up. Use an internal suspension mount for great hassle free placement; and, 5. Wow! It has a built-in pre-amp (you won't need to use one); 3. The short of it is, I was blown away. Networked array microphones: versatile and elegant AV conferencing solutions that discreetly and precisely capture the richness of the human voice. Beta 91 inside and Yamaha SubKick outside just works. Thank you for your request. It works as it should. I have used this mic many times on kick drum and it never lets me down. The Beta 52A is a super cardioid microphone and is also suited to kick drums. The Beta 91A features a new and updated microphone capsule. (I didn't bother to ask). Ordered it on a Monday, received it on Tuesday; gotta love Sweetwater! Getting the right kick sound has an infinite amount of variables, both objective and subjective. The Audix D6 has a scoop to the frequency response, the Beta 91 does not. Regular XLR cable are much easier to get. They use an electrically-charged diaphragm & backplate assembly to form a sound sensitive capacitor. Love the old 91 more. You said you like the sound and can manage it. I've been looking at the Shure Beta 91A and the low-mid cut switch at around 400Hz seems like a very useful and appropriate feature. Better to have the old 91 with the inline (easily replaceable ) pre. Featuring an updated microphone capsule, integrated preamplifier, and XLR connection, Beta 91A offers a strong low-frequency response and is specifically tailored for bass frequency applications. Use it for live and studio recordings. To learn more about our cookie policy, please check our Privacy Policy. All the tone, depth and punch you'd ever want for this recording. Its flat design means that it doesn't use a mic stand, so it's easy to place inside the drum. Just make sure the bottom of the bass drum is padded with a towel or a kick pad. The Thomann sound samples when compared with other bass drum mics appear to show this as a very clean and clear sounding mic. A couple of these, velcro'd to the lid on a grand, and you've got a great-sounding, low-chance-of-feedback acoustic pop/rock piano setup. Of these, 2 customers have written no texts or given their feedback in another language. It requires phantom power; 2. Exclusive deals, delivered straight to your inbox. The Beta 91A is a half cardioid condenser boundary microphone. I was blown away by the immense sound that comes out of this mic. The 91a's flat design is helpful when you're recording a complicated (crowded) set up. Our expert departments and workshops allow us to offer you professional advice and rapid maintenance and repair services. Condenser microphones are more sensitive than Dynamic microphones. You want no compromise in giving sound to the cannon? It sure has for me. The new capsule will result in a more natural high frequency response than the Beta 91. Highly recommend!! Now is the perfect time to get the gear you want with simple, promotional financing. Predominantly, I use this mic for kicks and pianos, but also found uses for certain theatre/stage applications. Or is there even a problem? My jaw dropped! I Have them both plus others, I would go the D6 route , But lately I have been really digging the beta 52 which has some great low end . Did we get anything wrong on this page? Happy customers, one piece of gear at a time! It produces a half-cardioid response pattern, and is intended for use on piano and kick drums. The new capsule will result in a more natural high frequency response than the Beta 91. As a company, we have a single objective: making you, our customer, happy. I was looking forward to seeing and hearing the latest incarnation of a tried and true workhorse. Mix it with a good sub kick mic, and you have gold! This also affects the price - to our customers' benefit, of course. But, I still felt I was missing something as I wanted more attack and thump to round off the kick sound.