Very simple. As you can see, we have a highlight exploitable here, lighten, dark dawn, which is basically the three tonal value system, like I was talking in the beginning of the course. And now let me just quickly began to treat their water. Just like that. See the bigger. I'm using burnt sienna. Now. You can use blue also. Abhishek Rout, Water colorist and film maker. Just like this. Highlight over here. Take a look. The other one is actually a little darker than usual. I'm going to add some more to over here. Whether this give us and bubble formation and we are done. This is a, a full-size Bao Han, 300 years in cold pressed paper, has fine grained, as you can see the texture. And the blitz shadow, just like this. We can have a lighter value and a touch of water to the mix and do a very, very light blend like so, and feed them just like this. And with Crimson, I'll add a touch of brown a little bit. Quite good. Now. So we need some sort of a medium yellow, as you can see, Benito, medium yellow. It's just like this. Use a plate. And this time the light is going to be over here, the highlight. Linear, maybe a little too much on this side. We already have the Crimson mix. So the first one, we have highlight over here. We're going to clean up the brush and the lift pigment. You can use anything that you have and it's all fine. We also need to use 110 synthetic brush. The don't have to wait for it to happen, but you just have to glide them. Here. And the technique would be even more easier. This is affordable plastic palette. Very simplest subject Really. Little bit of light don't over here, later over here. We also need to show neighbors of toilet paper. Now let's start the painting process. So we just need one or two. Now. Now, I'm mixing green onto the yellow I have on the ballot, which is viridian wet. Basically, we are done cleaning up the brush. And if you have, because there are so many colors over here, if you have a bow, that's good enough. We're not going to add another duck live on top. But now I'm going to use the small brush it up quite enough to lift a little bit of pigment, just like this metallurgy. We are going to do. And now let's take a look, just going to add right here and let them blend. Just like that. Final Thoughts : Alright, let's do a quick recap. So try not to be too much. Now for this meeting, I'm going to use yellow ocher. If you want it to be brownish, you can just pick a touch-up around 30. But maybe we can paint. Hello. Green would do the job, but I'll be using the viridian green. Now let's add a touch of crimson. Now remember, we are only doing do tonal value systems, so I'm not going to do any layering on top. It is to make students understand some techniques, gain confidence, and also memorize the truly essential things in watercolor Journey. Let me show you how if I did a little more green, which is dark, a touch of burnt sienna with it. So let me just show you. Maybe a touch of bluish shadow for the leaf over here, which is basically the shadow of the lemon. This is quite good and its size dwell whichever you have, you can definitely use. Dead. None of these photos are mine unless stated. That's all to tonal value system. So I'm just trying to make the shapes quite simple. Now the second tune would be Crimson, which is obviously quite dark. So overall we have a return value system, but we painted using only two tones, which would be the dark, solely the dark area and the light area. They're more than enough. So I'm just going to draw simple circles. Lemons- First Project/ Demo: Let's start with our first one. So let's just go ahead and do the drawing. And I'm going to fill it up. So we are going to use a bat it as of now, if you have a blade and if you do not have a valid, that's totally fine. That's more than enough for us. I love to travel, especially biking across the rivers and mountains. Touch off cobalt blue. Only for the darker areas just like this. So what am I going to use? So if you have orange, use, if you don't have, maybe you can add a touch of yellow. So this idea is going to be quite dark over here as well. As simple as that. New members: get your first 7 days of Skillshare Premium for free! So for this painting, we are going to use Chameleon as our main color. We can add a lot of depth by adding a little more shadows on a little more color. Then I am going to add some marking hole here. Please practice if you have any questions, any doubts liminal in the project section, and I would be honored if you put your paintings are there. To the next one. I'm not going to be fussy about it. Again. I'll be using a glass jar full of water. Copy of touches. So I can see interview. So the read will be slightly darker. So please do not forget, we have to have a late dawn and doctrine. Here. And also the techniques which you are going to memorize automatically when you learn a lot of different things and experiment. Pretty easy. So I'm going to touch like so at the bottom, the darker Duchess. Maybe we can change the combination. And the color that they are going to create. So join me in this course and we will learn together. If you want to use a tissue, you can definitely do it. As you can see. Only the corners. Very simple way of lifting. Other than that, if you have ultra marine, This one that'll do the work of Bush and glue. Even this much is good enough. Do simple leaves which are not really detailed, but it was not really required as well. Just about. So these are the three paintings which is did, which are quite simple, quite easy, fast, use, yet quite realistic. Still live studies with small subjects like fruits and vegetables, which are going to be clearly direct approach, use realistic and also fast. You just have to glide your brushed, hold it close if you have to put water on the paper and if you have to glide it, hold it slightly farther away. That's what it is. What, whatever color you choose doesn't really matter. Of course we need brushes. I'll be using cobalt blue for this entire course. A pencil to draw. Would leave a spot right there, cleaning up the brush. But this is not the purpose. Now let them blend and let them do whatever they want to do. composition nature morte a l'aquarelle de Corinne Poplimont. And if we add a little more water, will just add the kinda of a here. So we are basically finished with our there also the other ones. One has to observe things better. Now, let me just talk about it for a while. I am passionate about movies, fine art and all kinds of music. Now. The lighting is this way, the shadows are this way. Now here and here we are trying to add a touch of Brown in the dialogue itself. And we are actually finished with this. Now what I can do, now this is optional. Very, very, very, very simple. So things would get slightly cooler, slightly neutralized drop of water. So half dark and half light. I'm just gonna use a little bit of cobalt. So I'm just gonna draw simple shape. Just like this. See more ideas about watercolor, watercolor art, still life. Soft lifting over here, soft drifting or here to create the highlighted illusion. It'll work. Cobalt blue. Anything that's actually the real. And here we'll add. And the water glitazone ticket. That living awaits launch just about this place and will continue forward. We need yellow ocher, quinidine chameleon. I'm going to make a little bit of Brown with the cobalt blue, slightly thicker, more brown touch of crimson. Maybe I'll add another one over here, which is behind it. Edition: One of a Kind Original Painting Painting Dimensions: 10 x 7 Framed Dimensions: 17 x 14 Details: Painted after an afternoon on the patio in summer with a plate of sliced granny smith apples, a chilled glass of viognier wine and an angel face lavender rose in a bud vase on a striped linen cloth. I already explained the water ratio. .. Watercolor Still-life for Beginners: Memorizing Realistic Methods in a Simple Way | Abhishek Rout | Skillshare Yeah, brilliant bending, brilliant study, pretty good thing to do. Couple of them or not, which is totally okay. And I'm going to apply a over here straight. Touch of water, more brown and green. I want you to understand how it works. And we are done. Now. And that's all there is. 4. If not one, that's totally fine with me. Title: Sour Green Apples & Wine Description: Original watercolor, painted with Winsor Newton & Graham pigments on Arches Hot Press paper. A little bit of a blend. And if we add two, obviously to honor played. Let them blend that the Korean, whatever they wanted to create. It's almost finished. There we go. Touch-up, burnt sienna. And one blue, I'll be using. So I think we are done. I'm using the same color over here. That's more than enough for me. This is a natural hair brush. So make a very good base d pigment with water that mixes great, rich. We are not going to fuss about this one. Somebody who do already. Now, let's establish the shadow. Now. And now I'm going to Dutch the edge of the border over here, as you can see, which is striking the ground musically and create a linked shadow just like that ligate. We don't need any fancy brands because this is a practice work which will enable you to understand techniques.